Margot Yamaguchi
youthindecline:

A preview page from GRANDADDY PURPLE, IMMACULATE HOST by Jonny Negron.
This is a sequel to Jonny’s piece in Thickness #1, and will be published as a part of the expanded and collected THICKNESS anthology, forthcoming from Youth in Decline.

youthindecline:

A preview page from GRANDADDY PURPLE, IMMACULATE HOST by Jonny Negron.

This is a sequel to Jonny’s piece in Thickness #1, and will be published as a part of the expanded and collected THICKNESS anthology, forthcoming from Youth in Decline.

sonatinacomics:

Shipping Sonatina #1 & Sonatina 2 to THREE random winners.
Must reblog this post to enter.
Ends Saturday May 11th. 
∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞
176 pages of comics.
Work by: Aidan Koch, Alex Degen, Andy Burkholder, Argel Brown, Austin English, Blaise Larmee, Chris Andersen, Dane Martin, Dylan McKeever, Dunja Jankovic, Jason Overby, Julie Delporte, Leslie Weibeler, Maré Odomo, Mark Hensely, Michael Litven, Patrick Keck, Sarah Ferrick, Scott Longo, and Sophie Yanow
∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞
*International winners (outside US) will be asked to pay shipping or decline.
Both comics are available for purchase here.

sonatinacomics:

Shipping Sonatina #1 & Sonatina 2 to THREE random winners.

  • Must reblog this post to enter.
  • Ends Saturday May 11th. 

∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞

  • 176 pages of comics.
  • Work by: Aidan Koch, Alex Degen, Andy Burkholder, Argel Brown, Austin English, Blaise Larmee, Chris Andersen, Dane Martin, Dylan McKeever, Dunja Jankovic, Jason Overby, Julie Delporte, Leslie Weibeler, Maré Odomo, Mark Hensely, Michael Litven, Patrick Keck, Sarah Ferrick, Scott Longo, and Sophie Yanow

∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞

*International winners (outside US) will be asked to pay shipping or decline.

Both comics are available for purchase here.

To make myself look better about reblogging a sweepstakes here’s a page I drew a year ago for a shitty gravity falls comic I thought of doing.

To make myself look better about reblogging a sweepstakes here’s a page I drew a year ago for a shitty gravity falls comic I thought of doing.

gaymanga:

Win a free copy of The Passion of Gengoroh Tagame: The Master of Gay Erotic Manga!
While pre-orders have been shipping out for weeks, today is the official release date of The Passion of Gengoroh Tagame. To celebrate, we’re giving away a copy of the book on Gay Manga!
All you have to do to enter the giveaway is reblog this post on your Tumblr. You must be 18 or older and reside within the United States to qualify. A winner will be randomly selected from the pool of entrants on Friday, May 3rd at 12:00pm Eastern Standard Time. Good luck!!

gaymanga:

Win a free copy of The Passion of Gengoroh Tagame: The Master of Gay Erotic Manga!

While pre-orders have been shipping out for weeks, today is the official release date of The Passion of Gengoroh Tagame. To celebrate, we’re giving away a copy of the book on Gay Manga!

All you have to do to enter the giveaway is reblog this post on your Tumblr. You must be 18 or older and reside within the United States to qualify. A winner will be randomly selected from the pool of entrants on Friday, May 3rd at 12:00pm Eastern Standard Time. Good luck!!

Late Valentines Day gift.

This one’s for tolbert. Should have posted it yourself

This one’s for tolbert. Should have posted it yourself

sazquatch:



vile-insect:



melifluus:



cavetocanvas:



Duane Hanson, Supermarket Shopper, 1970
In this creepily realistic sculpture, Hanson critiques middle America and consumerism. The woman depicted is not idealized in any way, and probably wouldn’t be the type of person to frequent an art gallery, although that’s exactly where Hanson has placed her. Hanson was precise and obsessed with surface; unlike a Chuck Close or Richard Estes painting, Hanson’s illusion of reality holds as the viewer moves closer and closer to the piece, charging the viewer’s body in relation to the work, creating a tension between actual reality and Hanson’s faux reality.



meh, i hate this. this whole “social critique” has been done to fucking death. this is incredibly classist as well. all of his works from this series are the same: all women, all fat, all working class/clearly not rich. 
surprise surprise: duane hanson was a thin, college-educated white man. how easy for him to “critique” people who didn’t have the same opportunities as him.



OH NOOOO A FAT WOMAN GOING SHOPPING IN COMFY CLOTHES BUYING CHOC CHIP COOKIES AND BOG ROLL WHAT A SHOCKING WAY OF LIFE MUST CRITIQUE IT



If you really wanted to critique consumerism, shitfuck, you would be making an unflattering sculpture of the upper class heading on into Prada, buying multiple cars, treating service workers like slaves, and putting diamonds on themselves to cover the stink of exploitation.But that’s not really consumerism, is it? It’s the American Dream, it’s what the entire world should aspire to. Gross. Spare me the classist bullshit.



The intense desire for righting social injustice on tumblr leads to many silly rants that have more to do with emotionality than reality. Regardless of the artist himself, whose early biography I’m having trouble finding aside from a few anecdotal sentences about living in a small town during the great depression, you shouldn’t just assume the worst of a piece of art and then casually toss it aside.
Look back at the piece like a cold, rational human being. The woman is overweight. Her skin appears sickly; blotches and grease coat her body. A cigarette pokes arrogantly out of her mouth. Her gaze is vacant and oafish. She has on a form fitting pink shirt and a skirt that ends purposefully above the knee. She has curlers in her hair and has recently shaved her legs. A cheap, golden necklace rests on her plump chest. Her purse hangs haphazardly around a wrist. A shining watch clasps tightly around the other. Now take a glance at her shopping cart. Unhealthy frozen meals and junk overflow from the top.
The woman is grotesque, and it seems like she’s doing so on purpose. Even though she’s unfit, she continues to purchase a-nutritional trash. Even though she looks ill, she continues to smoke. And even though she doesn’t take care of herself, she continues to perform the superficial hetero-normative rituals required by women. She doesn’t choose to wear feminine clothes because she wants to, she wears clothes that show off her body because she thinks that’s how women should dress. I wouldn’t be surprised if that was blush on her face.
It’s obviously revolting. Notice her facial expression. Remember that this isn’t a random photograph, the sculptor chose specifically to create her character in this way. She stares at nothing. She is bored, apathetic, there is nothing in her life aside from her slave-like duties as a mother and wife. She lives without self-awareness. She lives without a critical thought in her head. She seems like the kind of person who would yell “Because!” without explaining herself. She is real, but at the same time, she is a stereotype.
She is a stereotype because she embodies all of the unhappiness and suffering of American poverty without any of the emotional depth of a living human being. She is real because she gives off all the physical features of a living human body.
The piece is intense and purposefully inflammatory. Now, does the artist think all of these negative traits exist inherently within Americans under the poverty line? Is that the point? No, I don’t think Scrooge McDuck sculpted this one. I don’t think Hanson took so much time out of his life to make a cheap classist insult. I said she was revolting, not because poor fat people are revolting, but because she represents the failings of American capitalist culture. She is the victim of thousands of predatory marketing tactics created to promote short-term happiness at the cost of long-term sustainability. She’s like a junkie. Human beings have so much potential and to see it squandered in this way because of other people’s greed and apathy is heartbreaking.
“While his early works dealt with physical violence or social issues, his later work seems to portray passive, isolated figures as victims of society and negative values.” - some shitty bookrags article but you get the point.
Could the same thing be said of wealthy consumerists? Absolutely, and I’m sure it has. This was made in 1970. It is a single piece by a single man. Of course by now we feel social criticism “has been done to fucking death.” It’s been 42 years.

sazquatch:

vile-insect:

melifluus:

cavetocanvas:

Duane Hanson, Supermarket Shopper, 1970

In this creepily realistic sculpture, Hanson critiques middle America and consumerism. The woman depicted is not idealized in any way, and probably wouldn’t be the type of person to frequent an art gallery, although that’s exactly where Hanson has placed her. Hanson was precise and obsessed with surface; unlike a Chuck Close or Richard Estes painting, Hanson’s illusion of reality holds as the viewer moves closer and closer to the piece, charging the viewer’s body in relation to the work, creating a tension between actual reality and Hanson’s faux reality.

meh, i hate this. this whole “social critique” has been done to fucking death. this is incredibly classist as well. all of his works from this series are the same: all women, all fat, all working class/clearly not rich. 

surprise surprise: duane hanson was a thin, college-educated white man. how easy for him to “critique” people who didn’t have the same opportunities as him.

OH NOOOO A FAT WOMAN GOING SHOPPING IN COMFY CLOTHES BUYING CHOC CHIP COOKIES AND BOG ROLL WHAT A SHOCKING WAY OF LIFE MUST CRITIQUE IT

If you really wanted to critique consumerism, shitfuck, you would be making an unflattering sculpture of the upper class heading on into Prada, buying multiple cars, treating service workers like slaves, and putting diamonds on themselves to cover the stink of exploitation.

But that’s not really consumerism, is it? It’s the American Dream, it’s what the entire world should aspire to.

Gross. Spare me the classist bullshit.

The intense desire for righting social injustice on tumblr leads to many silly rants that have more to do with emotionality than reality. Regardless of the artist himself, whose early biography I’m having trouble finding aside from a few anecdotal sentences about living in a small town during the great depression, you shouldn’t just assume the worst of a piece of art and then casually toss it aside.

Look back at the piece like a cold, rational human being. The woman is overweight. Her skin appears sickly; blotches and grease coat her body. A cigarette pokes arrogantly out of her mouth. Her gaze is vacant and oafish. She has on a form fitting pink shirt and a skirt that ends purposefully above the knee. She has curlers in her hair and has recently shaved her legs. A cheap, golden necklace rests on her plump chest. Her purse hangs haphazardly around a wrist. A shining watch clasps tightly around the other. Now take a glance at her shopping cart. Unhealthy frozen meals and junk overflow from the top.

The woman is grotesque, and it seems like she’s doing so on purpose. Even though she’s unfit, she continues to purchase a-nutritional trash. Even though she looks ill, she continues to smoke. And even though she doesn’t take care of herself, she continues to perform the superficial hetero-normative rituals required by women. She doesn’t choose to wear feminine clothes because she wants to, she wears clothes that show off her body because she thinks that’s how women should dress. I wouldn’t be surprised if that was blush on her face.

It’s obviously revolting. Notice her facial expression. Remember that this isn’t a random photograph, the sculptor chose specifically to create her character in this way. She stares at nothing. She is bored, apathetic, there is nothing in her life aside from her slave-like duties as a mother and wife. She lives without self-awareness. She lives without a critical thought in her head. She seems like the kind of person who would yell “Because!” without explaining herself. She is real, but at the same time, she is a stereotype.

She is a stereotype because she embodies all of the unhappiness and suffering of American poverty without any of the emotional depth of a living human being. She is real because she gives off all the physical features of a living human body.

The piece is intense and purposefully inflammatory. Now, does the artist think all of these negative traits exist inherently within Americans under the poverty line? Is that the point? No, I don’t think Scrooge McDuck sculpted this one. I don’t think Hanson took so much time out of his life to make a cheap classist insult. I said she was revolting, not because poor fat people are revolting, but because she represents the failings of American capitalist culture. She is the victim of thousands of predatory marketing tactics created to promote short-term happiness at the cost of long-term sustainability. She’s like a junkie. Human beings have so much potential and to see it squandered in this way because of other people’s greed and apathy is heartbreaking.

“While his early works dealt with physical violence or social issues, his later work seems to portray passive, isolated figures as victims of society and negative values.” - some shitty bookrags article but you get the point.

Could the same thing be said of wealthy consumerists? Absolutely, and I’m sure it has. This was made in 1970. It is a single piece by a single man. Of course by now we feel social criticism “has been done to fucking death.” It’s been 42 years.

DID YOU KNOW: A week before you turn twenty-one UF sends you an email with coupons for like a free movie and a pizza buffet. You can only use the coupons between 6:30pm and 1:00am. Obviously the point is to dissuade you from drinking. JOKES ON YOU I’M A TEETOTALER. THANKS FOR THE FREE SWAG. 

DID YOU KNOW: A week before you turn twenty-one UF sends you an email with coupons for like a free movie and a pizza buffet. You can only use the coupons between 6:30pm and 1:00am. Obviously the point is to dissuade you from drinking. JOKES ON YOU I’M A TEETOTALER. THANKS FOR THE FREE SWAG. 

Let’s end this inactivity.

Let’s end this inactivity.

A success in the eyes of the profit

Has the “fanzine” failed? Yes, doubtlessly yes. It was never more than a fantasy to begin with so to assume it would materialize so easily would be idiotic. Though a failure, one which we all saw coming a million miles away, it did instigate a whirlwind of thought within me, and hopefully you, about the creation of art. So, yes, I suck and I failed to “lead” the team to victory. I admit it wholeheartedly. But I can live with that. And this doesn’t mean this little hobby will die out, I plan to make something on par with Arcade Comics Revue sometime in my life. Clearly that time isn’t now. Gotta practice and get good. And so should you. We should totally make something disgusting and balla next time!

So we’re all cunts right? We’re all horrible cunts that need thousands of minutes and hours. WAY MORE TIME IS NEEDED FOR THIS BITCH IS WHAT I’M HEARING FROM THE CHIRPING BIRDS CALLED FRIENDS.
That’s fine. So from the kindness of my heart, I’m extending the draft date to November 10th. The release date’s gonna be the 20th. November 20th. My birthday. That’s right. Give me a present from the heart, in the form of digital media, preferably in .png format.
Issues with dropbox are coming up as well. Motherfucking shitty system. Please, check your emails and confirm your invitation to the shared folder called Muezzin Comics Anthology. I’ll invite you like five times just to be sure.
I’ll reiterate that the draft is exactly what it sounds like: an unfinished and unpolished prototype. The more prototypes given, the more chances we have at finding greatness. I really want you to have enough faith that I’ll be a thoughtful and professional motherfucker about discussing art. Specifically your art. I’ll even put some of my more embarrassing ideas in there to give an example of how completely non-threatening this bitch is. My shit is far from perfect, some of its probably cringe worthy. But that’s fine, because this shit’s drafts, tell me your opinions on the things so as to illuminate my dim vision on how my pictures suck ass.

So we’re all cunts right? We’re all horrible cunts that need thousands of minutes and hours. WAY MORE TIME IS NEEDED FOR THIS BITCH IS WHAT I’M HEARING FROM THE CHIRPING BIRDS CALLED FRIENDS.

That’s fine. So from the kindness of my heart, I’m extending the draft date to November 10th. The release date’s gonna be the 20th. November 20th. My birthday. That’s right. Give me a present from the heart, in the form of digital media, preferably in .png format.

Issues with dropbox are coming up as well. Motherfucking shitty system. Please, check your emails and confirm your invitation to the shared folder called Muezzin Comics Anthology. I’ll invite you like five times just to be sure.

I’ll reiterate that the draft is exactly what it sounds like: an unfinished and unpolished prototype. The more prototypes given, the more chances we have at finding greatness. I really want you to have enough faith that I’ll be a thoughtful and professional motherfucker about discussing art. Specifically your art. I’ll even put some of my more embarrassing ideas in there to give an example of how completely non-threatening this bitch is. My shit is far from perfect, some of its probably cringe worthy. But that’s fine, because this shit’s drafts, tell me your opinions on the things so as to illuminate my dim vision on how my pictures suck ass.